Ponències presentades a la conferència "Copying, Emulating and Replicating Paintings in the 15th-18th Century " celebrada al Statens Museum for Kunst (SMK), del 21 al 22 de maig de 2012

Bibliografia

Preface / Jorgen Wadum and Erma Hermens ; Copies of Prototypes by Quentin Massys from the Workshop of his son Jan: the case of the butter Madonna / Maria Clelia Galassi ; Emulating van Eyck: the significance of grisaille / Noëlle Streeton ; Pieter Brueghel as a copyist after Pieter Bruegel / Christina Currie and Dominique Allart ; An unpublished copy of Hieronymus Bosch’s Temptation of Saint Anthony / Catheline Périer-D’Ieteren ; Two versions of a Boutsian Virgin and Child painting: questions of attribution, chronology and function / Eva de la Fuente Pedersen and Troels Filtenborg ; A Technical Study of portraits of James VI and I attributed to John de Critz (d. 1642); Artist, workshop and copies / Caroline Rae and Aviva Burnstock ; Copies and versions: discussing Holbein's legacy in England. Techincal examination of copies of Holbein portraits at the National Portrait Gallery / Sophie Plender & Polly Saltmarsh ; Materials as Markers: how useful are distinctive materials as indicators of master or copyist? / Libby Sheldon and Gabriella Macaro ; Michiel van Mierevelt – copy master. Exploring the oeuvre of the Van Mierevelt workshop / Anita Jansen and Johanneke Verhave ; The problem of the portrait copies painted by Rubens in Madrid, 1628-29 / Jeremy Wood ; Assumption of the Virgin by studio of Peter Paul Rubens from the National Gallery of Art in Washington - between master’s piece and student’s copy / Julia Burdajewicz ; After Raphael: The Hunterian Entombment copy examined in the context of copying practices in early 17th-century Rome / Helen Howard, Erma Hermens and Peter Black ; The Strawberry Girl: repetition in Reynolds's studio practice / Alexandra Gent, Rica Jones and Rachel Morrison Joseph Booth's chymical and mechanical paintings / David Saunders