A note on the construction of test panels for the spectral imaging of paintings
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Studies in Conservation 3 59 1, 3-9Abstract: The construction and examination of the test panels is an "ad hoc" procedure, necessary for every espectral imagins study of paintings. Despite the common features, almost every scientific team follows a different way of construction. Furthermore, many of these approaches are not adequately documented in the relevant papers. Failure to use common language and practice leads to confusion about properties of materials and paint layers that have been overall examined by scientists, as well as the validity of the results and their exploitation in several conservation applications. the present theorical approach pointsout the need for common protocols fer the construction of test panels and draws general principles as a flow chart on which they should be based.
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Biblioteca de l' Escola Superior Conservació i Restauració de Bens Culturals de Catalunya | Studies in Conservation 3 (Browse shelf(Opens below)) | Available | Art-10 |
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The construction and examination of the test panels is an "ad hoc" procedure, necessary for every espectral imagins study of paintings. Despite the common features, almost every scientific team follows a different way of construction. Furthermore, many of these approaches are not adequately documented in the relevant papers. Failure to use common language and practice leads to confusion about properties of materials and paint layers that have been overall examined by scientists, as well as the validity of the results and their exploitation in several conservation applications. the present theorical approach pointsout the need for common protocols fer the construction of test panels and draws general principles as a flow chart on which they should be based.
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